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知名摄影师马丁带领拍摄团队前往阿拉斯加荒野，希望记录全球暖化下北极熊的生活，一行人寄居在猎人小屋，却听到当地人谣传阿拉斯加出现疯狂杀人熊，马丁下定决心要以摄影镜头捕捉杀人熊的英姿。但他万万没想到，这头杀人熊竟是地下研究机构进行非法实验之下的失败品，面对这头凶性大发的野兽，马丁一行人只能倚靠自己，在渺无人烟的冰天雪地中杀出一条血路……。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。